In the enchanting world of Midnight at the Never Get, we witness a captivating tale of love and music that transcends time. This review delves into the heart of this unique cabaret-musical, exploring its themes and the exceptional performances that bring it to life.
A Musical Journey Through the 1960s
Mark Sonnenblick's love story, set in the vibrant New York of the 1960s, is a delightful blend of nostalgia and modern queer representation. The show's setting, a lamplit cabaret, creates an intimate atmosphere, transporting us to a bygone era where two gay musicians, Trevor Copeland and Arthur Brightman, navigate their creative pursuits and romantic entanglements.
The Power of Performance
Ben Platt, with his award-winning credentials, is a perfect fit for Trevor Copeland, the crooning bar singer. His voice, described as 'sky-gliding', adds a layer of magic to the show. However, it is Gregor Milne's portrayal of Arthur Brightman that truly anchors the production. Milne's versatility, from the troubled genius to the steady pianist, showcases his brilliance and provides a stable center amidst the show's emotional highs and lows.
What makes this particularly fascinating is the way Milne's character serves as both the story's pulse and its emotional core. His presence on stage is a reminder of the power of music to sustain and inspire, especially in the face of adversity.
Queer Representation and Choice
As the story progresses, we witness the public display of love between Trevor and Arthur, with their queer lyrics resonating with some audiences while alienating others. This raises a deeper question about the choices individuals face when their identity intersects with their art and public perception. The show's exploration of protest versus assimilation is a timely and thought-provoking element, adding a layer of complexity to the characters' journey.
Intimacy and Impact
Director David Cromer's approach to maintaining intimacy is a testament to his skill. By keeping the production simple, he allows the story and its emotional core to shine. The use of a minor magic trick, a secret I won't spoil here, adds a touch of wonder and neatly ties up loose ends. However, I believe the gut-punch moment could have been even more powerful with a slight trim, allowing the audience to fully immerse themselves in the raw emotion.
Music as Heartbreak and Cure
Midnight at the Never Get beautifully captures the dual nature of music. It is both a heartbreaker and a healer, a reflection of the human experience. As the story darkens, we understand the narrator's gaps in memory, and the songs become a testament to love's enduring legacy. The show leaves us with a powerful message: even when all else is lost, the songs we sing can reconnect us to our past selves and the love we once knew.
In my opinion, this production is a must-see for anyone seeking a unique and emotionally charged theatrical experience. It is a reminder that love, music, and the stories we tell can transcend time and continue to inspire and resonate long after the final curtain call.
